Sunday, June 29th, 12:45 - 4 PM, join us for an informal afternoon of dancing, dance clips from old movies and a celebration of the days of "Art Deco" (the '20s, '30s & '40s, aka "The Jazz Age" and "The Swing Era")
The afternoon will feature DJed dancing with original recordings from the Jazz and Swing eras, and recent works in the style of the time. We will take requests and play your CDs and '78s. Foxtrot, Swing, Tango, Waltz, Charleston, Rumba, Shag and even Java - they're all on the menu, along with brief beginner-friendly instruction and suggestions for the more advanced dancer.
The focus of the brief bits of instruction will be the popular ballroom dances of the day, but everyone, be they tangoists, jitterbuggers, flappers, foxtrotters, or javanists who love the music and dance of the era are invited and welcome. There's room on the floor for everyone. If it turns out there isn't, then I guess we'll find a bigger floor.
This is a friendly, informal place for the beginner and the advanced dancer to do the dances you know, learn new dances and moves, and dance with a variety of interesting people. No partner is required and you are encouraged to change partners frequently.
You are also encouraged to come dressed in the style of the 1920s, 30s and 40s. If you don't have vintage, it's suggested (but not required) that men come in slacks and button down shirts and women in dresses or knee-length skirts. Comfortable dance shoes are always a good idea. We're looking for a sort of film noir, "Ten Cents a Dance" dance hall feeling.
If you are inclined, feel free to bring finger food refreshments or non-alcoholic drinks to share. Please bring nothing that requires heating, refrigeration or is likely to make a big mess in the hands of a butter-fingered plaooka.
Germany during the era of the Weimar Republic (1919-1933) was a place of political conflict and economic chaos; as well as a nexus of cultural ferment, a flowering of invention and creativity, and a rejection of pre-Great War social norms and cultural conventions. It was also notorious for the vitality of its decadent night life, awash in sex and booze and jazz music: jazz music provided by hot German bands with their own distinctive national sound.
The dance of fashionable Weimar Germany was indistinguishable from the dancing you would see in London or New York. In the countryside or in "folk" events, good old fashioned rotary Waltzes, as well as dances like the Polka, L√§ndler, Zweifacher etc. would be in evidence; but in the night clubs of sophisticated cities like Hamburg or Berlin, only modern dances like the Foxtrot, Tango and "modern" Waltz were welcome.
It's not a stunning revelation to say that dancing has changed a lot in the last half century. We all know that, but I don't know that most of us have really thought about the ways it has changed and how it reflects the ways our world has changed.
"Back in the day" which for my purposes, I will encapsulate in the 50 years between 1910 and 1960, dancing played a central role in the social lives of mature adults which it has entirely lost today. Today, among adults, with a few notable exceptions, almost nobody dances. Back then, almost everyone danced.
Night clubs, hotels, ocean liners and any place where people gathered to socialize had live music and a dance floor. Corporations, lodges and community organizations sponsored dinner dances, where people got dressed up and men and women danced together - and their "signature" dance - by far the most popular and pervasive, was the Foxtrot. The dance floor was often too small, and it was crowded, but it was crowded precisely because almost everyone danced.
Starting in the early 20th Century, there was a clear distinction between Youth Dances and Adult Dances. The kids did the Charleston which became Collegiate, which became Swing, which became Rock & Roll (a species of Swing). Adults danced the Foxtrot, Tango and Waltz (but mostly Foxtrot) and occasionally Latin dances like Rumba, Samba, Cha Cha etc.(all fall in a category now referred to as "Ballroom Dances"). There was a distinctly adult way to dance and a distinctly kid way to dance, and when kids grew up, they gave up the wild kicks, spins, leaps and flying skirts and settled into a style more appropriate to their adult lives. We often refer to "Youth Culture" and tend fix on that when defining past decades in our minds, but we tend to overlook the fact that there was once an "Adult Culture" as well, which was much more ubiquitous and influential than the fads of wild youth.
The library where I work recently purchased three iPads with an eye toward making a practical test of whether this new technology could be of use. The result has, so far, not been encouraging.
It recently fell to my lot to take a new look at this issue and figure out how iPads or other tablet computers could be useful in this business environment, so I conducted an informal survey at work and on Facebook to get an idea of what people were actually using the things for - and thereby perhaps get a sense of what we might use them for.
Before the list of uses, I would like to make an observation:
The most enthusiastic iPad users listed ways in which it excelled as an personal device. Its utility as a shared asset, such as we have in our library, seemed very limited.
I received yet another email from a TV producer looking for people who live entirely in some sort of historical way. She gave me the sense that she really didn't understand us, and I fear that she was looking for subjects for a, not to put too fine a point on it, freak show like those I saw a few years back from the BBC. Here's how I responded:
I understand there are some people who try to live entirely in some sort of "retro" way, but I don't know any. Everyone I know cherry picks from the past: we draw from the past the things we find lacking in the present, but we are perfectly willing to take advantage of modern technology and live in the real world. Most of us prefer not to live in a world with the disease, violence, bigotry and gender inequality that was all too common in the past, and there's few of us would turn down a shot of antibiotic if we had a serious infection.
Different people cherry pick different things. A lot of folks love the fashions of the past and enjoy the sense of occasion that really dressing up lends to any activity - something that is sadly lacking in our hyper-casual society. Many (and these groups contain lots of the same people) love the music and perhaps dance of the past - a time when songs were finely crafted and dances gave you a real connection to your partner.
The connections between these dances are pretty clear, as they progressed in a parallel track with the more mainstream Foxtrot and other ballroom dances.
I will hit on just a few clear reference points that give a sense of the flow. This collection is nothing like comprehensive. I present them with a minimum of commentary, and will let them speak for themselves.
The initial motivation behind this project, to understand the most popular dances of the "Jazz Age", was frustration and confusion. THE big dance of the time was the Fox Trot, but the Fox Trot as I understood it just didn't seem right.
- The Fox Trot classes I had taken felt complicated and contradictory with seemingly random assortments of "quicks" and "slows" and memorized routines, some of which required me to count (I've never been good at math). It felt like I was getting pieces of a puzzle, without understanding how they fit together.
- The Fox Trot as I understood it and as I saw it performed by trained dancers, looked a bit like Fred and Ginger, but didn't look much like what I saw "regular folks" doing in old movies - and I have always been a bit more interested in regular folks rather than stars
- My Fox Trot wasn't much fun. How could such a dance have been so dominant and universally popular? How was it that this not very appealing dance (as I with my limited understanding understood it) was THE dance of the Jazz Age?